1 BERGE, P. / J. D'HOE / W. E. CAPLIN, EDS. BEETHOVEN'S "TEMPEST" SONATA: PERSPECTIVES OF ANALYSIS AND PERFORMANCE
2009 - ix + 341 pp. € 79,00
Indice: P. Bergé: Introduction. Analysis and performance in Beethoven's Tempest sonata - P. Bergé / J. D'hoe: To play or not to play: motivic connections in the first movement of Beethoven's Tempest sonata - S. Burnham: Singularities and extremes: dramatic impulse in the first movement of Beethoven's Tempest sonata - P. Burstein: Beethoven's Tempest sonata: a Schenkerian approach - W. E. Caplin: Beethoven's Tempest exposition: a springboard for form-functional considerations - K. Hamilton: Beethoven's Tempest sonata in performance - R. Hatten: Interpreting Beethoven's Tempest sonata through topics, gestures, and agency - J. Hepokoski: Approaching the first movement of Beethoven's Tempest sonata through sonata theory - W. Kinderman: The first movement of Beethoven's Tempest sonata: genesis, form, and dramatic meaning - W. Rothstein: Riding the storm clouds: tempo, rhythm, and meter in Beethoven's Tempest sonata - D. Seaton: Narrativity and the performance of Beethoven's Tempest sonata - S. Vande Moortele: The first movement of Beethoven's Tempest sonata and the tradition of twentieth-century 'Formenlehre'.
2 FAVIER, T. LE MOTET A GRAND CHOEUR (1660-1792). GLORIA IN GALLIA DEO
2009 - 644 pp. € 29,50
Indice: 1. Le motet à grrand choeur dans le culte gallican: Les fondements religieux - Motet à grand choeur et action liturgique - Modalités de la pratique - 2. Une poétique musicale du sentiment religieux: Les fondateurs - Les fondements du motet à grand choeur moderne - Le motet à grand choeur des Lumières - 3. L'élaboration des répertoires: La Chapelle royale - Le Concert spirituel - Les institutions provinciales - Relations entre les répertoires - 4. Les acteurs et leur temps: Portraits - Représentations collectives.
3 GARBINI, L. BREVE HISTORIA DE LA MUSICA SACRA
2009 - 483 pp. € 16,00
Indice: Afinidades electivas. De Jerusalén a Roma (70-313) - El enamoramiento. Del edicto de Constantino a la «Regula» de Benito (313-530) - La ambigüedad del amor. De Gregorio el Magno a Cluny (530-910) - La entrada al laberinto. De Guillermo de Volpiano a Guillaume de Machaut (910-1377) - El sacrificio del Minotauro. De Machaut a Lutero (1377-1523) - La salida del laberinto. De Lutero a Benedicto XIV (1523-1740) - El sueño de Ariadna. De Benedicto XIV a Pío IX (1740-1846) - Ariadna en Naxos. De Pío IX al Concilio Vaticano II (1846-1963) - El lamento de Ariadna. Del Concilio Vaticano II a nuestros días (1963-2005).
4 GAULDIN, R. LA PRACTICA ARMONICA EN LA MUSICA TONAL
2009 - 777 pp., not. € 65,00
5 GAUTHIER, L. L'OPERA A HAMBOURG (1648-1728). NAISSANCE D'UN GENRE, ESSOR D'UNE VILLE
2010 - 471 pp. € 26,00
6 LEVIN, F. R. GREEK REFLECTIONS ON THE NATURE OF MUSIC
2009 - xxiii + 340 pp. € 53,60
Indice: All deep things are song - We are all aristoxenians - The discrete and the continuous - Magnitudes and multitudes - The topology of melody - Aristoxenus of Tarentum and Ptolemaïs of Cyrene - Aisthçsis and Logos: a single continent - The infinite and the infinitesimal.
7 PARKER, B. GOOD VIBRATIONS. THE PHYSICS OF MUSIC
2009 - vii + 274 pp., 124 fig. € 18,50
8 SANHUESA FONSECA, M. EL DOCTOR BARTOLOMEO GIOVENARDI (CA. 1600-1668). TEORICO MUSICAL ENTRE ITALIA Y ESPAÑA
2009 - xiv + 175 pp., fig. € 29,00
9 SAWA, G. D. RHYTHMIC THEORIES AND PRACTICES IN ARABIC WRITINGS TO 339 AH/950 CE. ANNOTATED TRANSLATIONS AND COMMENTARIES
2009 - xv + 639 pp. € 125,00
Indice: Introduction - 1. The Theories of the Arab Practitioners: Ishâq al-Mawsilî on the medieval arabic Îqâcât - Abû al-Faraj al-Isbahânî: commentary on the rhythmic writings of Ishâq al-Mawsilî and Ibrâhîm ibn al-Mahdî in The book of songs - Mansûr ibn Talha's definitions of the Îqâcât - Ibn Khurdâdhba on the Îqâcât - Al-Bataliawsî on the Îqâc^st - 2. The Fusion of Arabic and Greek Theories: Al-Kindî on the Îqâcât - Al-Fârâbî's Gran book of music: first chapter on rhythms - Al-Fârâbî's Grand book of music: second chapter on rhythms - The book of rhythms - The book for the basic comprehension of rhythms - The language of al-Fârâbî and its sources - Pedigree of the sources - Summary of the basic Îqâcât: a comparative approach to the sources - Al-Fârâbî's rhythmic variations - Al-Kindî's appendix.
