PATRIMONIO

Indice: Parte introductoria: F. Salvia: Presentación de los trabajos - R. Barranco Vela: El régimen jurídico de la restauración en el marco del derecho a la cultura - G. Di Giorgi Cezzi: La restauración de los bienes culturales en la legislación italiana reciente - Estudios por sectores, I: La distribución de competencias en materia de restauración de bienes culturales: L. Moral Soriano / L. J. Sánchez-Mesa Martínez: El reparto de competencias en la restauración del patrimonio histórico - C. Tubertini: Potestad legislativa estatal y regional y disciplina de la restauración tras la reforma del título V de la Constitución italiana - II. Obras públicas y restauración de bienes culturales: M. A. Torres López: La restauración en el sector de las obras públicas: las carencias del sistema vigente - C. Vitale: La realización de las obras de restauración de bienes culturales en el decreto legislativo n. 30 de 22 de enero de 2004: alguna novedad y muchas confirmaciones - III. Control de la intervención administrativa en la restauración de bienes culturales: L. J. Sánchez-Mesa Martínez: Los criterios metodológicos de la restauración y su trascendencia en la intervención administrativa sobre el patrimonio cultural: los casos español e italiano - IV. La intervención del sector privado en la restauración de bienes culturales: M. A. Recuerda Girela: Patrocinio y mecenazgo: del derecho privado al derecho público - G. Piperata: Esponsorización e intervenciones de restauración en los bienes culturales - V. Los profesionales de la restauración en la regulación del patrimonio cultural: L. J. Sánchez-Mesa Martínez: Los profesionales de la restauración en la legislación estatal y autonómica del patrimonio histórico - F. Cortese: La formación de los profesionales de la restauración entre la reforma constitucional y el nuevo código de los bienes culturales y del paisaje.

Indice: Introduction: Prolégomènes- Couleur - Perspective - Typologie: Images - Types fonctionnels des tableaux à destination religieuse - Types structurels des oeuvres mobiles - Types structurels des oeuvres fixes - Stades de la création, statut de l'oeuvre et pratiques de la création - Format et disposition - Atelier et instruments de la création: Mobilier et matériel de l'atelier - Matériel de la mise en oeuvre - Supports et préparation: Le bois - Le métal - Le matériau pierreux - Le verre et la terre cuite - Ivoire, écaille et autres matériaux organiques naturels - Le textile - Le papyrus - Le papier - La peau - Altération et traitement - Sculpture, objets, mobilier et peinture murale: Sculpture peinte - Objets et mobilier peints - Peinture murale - Matériaux et techniques de la couche picturale: Analyse élémentaire et écriture - Couche picturale - Matériaux spécifiques du dessin - Pigments - Rhéologie et modes d'association physico-chimique - Solvants - Liants et colles - Résines et vernis - Décor métallique - Matériaux, éléments et objets rapportés - Conservation: État de conservation - Interventions - Encadrement: Types de cadres et d'encadrement - Position du cadre dans l'espace - Position du tableau dans le cadre autonome - Appellations du cadre et de l'encadrement - Accessoires du cadre - Compléments et substituts du cadre pour les supports rigides - Matériau et décor du cadre - Faux encadrement.

Indice: 1. Introduction to the Westminster Retable: P. Binski: An outline of scholarship on the Westminster retable - P. Binski: Function, date, imagery, style and context of the Westminster retable - Photographic survey of the Westminster retable: after treatment - 2. The Art-Historical Context: J. Gardner: The european context of the Westminster retable - C. Wilson: The architecture and ornament of the Westminster retable as evidence of dating and origin - M. A. Michael: Re-orienting the Westminster retable: Islam, Byzantium and the west - 3. The Decorative Context: R. Page: Glass inlay in Europe in the thirteenth and fourteenth centuries - N. Stratford: Notes on enamel and other glass techniques in the second half of the thirteenth century - J. Cherry: Cameos and gems on the Westminster retable - V. M. Schmidt: The painted reverse of the Westminster retable - S. Bucklow: The virtues of imitation: gems, cameos and glass imitations - 4. Post-Manufacture History: W. Rodwell: Later medieval interventions - W. Rodwell / J. Rose: Post-reformation documentation and use - J. Rose: Eighteenth- to twentieth-century documentation - 5. Historical Treatments: S. Bucklow: The post-medieval environment - J. Dillon: Deliberate removals and patterns of loss in the glass-covered decorations of the Westminster retable - M. Kempski / M. L. Sauerberg: Past care and treatment of the Westminster retable from the middle ages to the twentieth century - 6. Materials and Techniques: I. Tyers: Tree-ring analysis of the Westminster retable - R. Marchant: Manufacture of the wooden support - M. L. Sauerberg & al.: Materials and techniques - R. White / J. Kirby: Medium analysis - S. Davison: Glass elements on the Westminster retable - J. Dillon: The metalwork of the Westminster retable - 7. Technical Context: H. Howard / M. L. Sauerberg: Polychrome techniques at Westminster 1250-1350 - H. Howard: Edmund Crouchback: technique of the tomb of a crusader - S. Bucklow: Materials, wages and painting at Westminster: costing the retable - 8. Treatment: I. McClure: A conservation narrative - M. Ciatti: Conservation problems of the Westminster retable: an italian perspective - M. L. Sauerberg & al.: Treatment of the Westminster retable - C. Heard / S. Bucklow: Reconstruction of the Westminster retable - I. McClure: Installing the Westminster retable - 9. Documentation: C. Titmus: Technical survey of the Westminster retable: photographs before treatment, ultraviolet photographs and X-radiographs - S. Bucklow & al.: Digital documentation - S. Bucklow: Dimensions - S. Bucklow: Analysis of materials - M. L. Sauerberg: Test boards for consolidation of porphyry on the reverse - J. Dillon & al.: The metalwork: analysis and dimensions.

Indice: A. Alzua-Sórzabal / C. Carreras: Introducción. Cultura digital en la sociedad del conocimiento - C. Carreras: El público: al actor principal - M. Abad & al.: La tecnología - B. Roca & al.: Operadores culturales - C. Carreras: Significado y comportamiento - M. Abad Galzacorta / A. Alzua Sorzabal: Usabilidad y confort - B. Roca: Cibermuseografía - C. Carreras / L. Pujol: Métodos de evaluación - Estudios de casos: Evaluación del Hellenistic cosmos - Acceso en mente: mejorando la relación con el arte contemporáneo - Evaluación cuantitative y cualitativa del uso de los medios audiovisuales en museos mediterráneos: el estudio de caso en España.

Indice: 1. La perception du patrimoine bâti: Parler architecture - Les dictionnaires de Félibien et de Baldinucci - Typologie - Tectonique - Espace et spatialité en architecture - 2. L'interprétation du patrimoine bâti: Entre gothique et néo-gothique - La fin du vitruvianisme - Viollet-le-Duc, théoricien et professeur - George Edmund Street et la Suisse - De la plate-bande à la poutre hennebique - 3. La conservation du patrimoine bâti: Karl Friedrich Schinkel, conservateur des monuments historiques - August Reichensperger, prussien catholique - John Ruskin et l'authenticité du matériau - Henry de Geymüller, un expert polyglotte et cosmopolite - Respecct et piété dans la conservation du patrimoine.

Indice: I materiali: Il supporto - L'intonaco (di D. Tapete) - Strato e pellicola pittorica - I procedimenti esecutivi: Tecniche di progettazione - Tecniche degli antichi (di D. Tapete) - Pittura a calce; pittura a buon fresco - Pittura a secco - Encausto (di D. Tapete).

Indice: Authenticities: Keynotes: C. Scheidemann: Authenticity: how to get there? - J. H. stoner: Degrees of authenticity in the discourse between the original artist and the viewer - I. Brajer. Authenticity and restoration of wall paintings. issues of truth and beauty - S. Muñoz-Viñas: Beyond authenticity - Authenticities: HIstoric Case Studies: A. Fendt: Restoration or de-restoration? Two different concepts of presenting the authentic condition of ancient sculptures in the Collection of classical antiquities in 19th-century Berlin - P. Black / W. Murray: The child in the womb in its natural situation, a painted lead sculpture made for the anatomist William Hunter: a question of authenticity - G. Alabone: The picture frame: knowing its place - E. Kerr: Concepts of authenticity as related to a 15th-century florentine cassone panel in the Victoria and Albert museum, London - S. Rabourdin-Auffret: The authenticity of french furniture: interpretation and preservation issues - J.-B. Martin: Wallpaper reconstructions in historic interiors: balancing the aesthetic with authenticity - R. Wilmot: Examining 'authenticity' in two contemporary conservation projects in Scotland: Charles Rennie Mackintosh's Dysart Kirk murals and Daniel Cottier's painted decorative scheme at Cottier's theatre, Glasgow - S. Meloni & al.: The authenticity of heraldic arms on Olycan family portraits by Frans Hals: weighing the object vs. the image in restauration - C. Caspers / K. Seymour: A reconstruction of Maerten van Heemskerck's De Calvarieberg (1543): accuracy and visual interpretation - K. Coombs & al.: A multifaceted approach to the study of Tudor portrait miniatures: a case study of the 'Croker' miniatures - V. Button: issues surrounding the attribution of a Holbein drawing - E. Hendriks / S. Hughes. Van Gogh's brushstrokes: marks of authenticity? - Authenticities: Contemporary Case Studies: T. Caianiello: Creamcheese: from disco to museum installation - M. Jadzinska: 'The voice of things': Koji Kamoji and authenticity in installation art - M. Pugliese / B. Ferriani: Preserving installation art: hypothesis for the future of a medium in evolution - D. Paterson: Duchamp under the hammer: iconoclasm, vandalism and authenticity - V. van Saaze: Authenticity in practice: an ethnographic study into the preservation of One candle by Nam June Paik - C. Weyer: Authenticity - a matter of time? Restoring Glauben Sie nicht, dass ich eine Amazone bin by Ulrike Rosenbach - A. R. de Tilly: Moving images, editioned artworks and authenticity - P. Smith / B. Harman: The artist's role in installation and future display at the Gallery of modern art, Glasgow - J. Roeder: Archivists meet artists: insights into authenticity - Authenticities: Further Considerations: I. Narkiss: 'Is this real?' Authenticity, conservation and visitor experience - K. Boullart: Ontology, worldviews and authenticity - S. Bucklow: Authenticity and science: an ongoing relationship - R. Gordon: The 'paradigmatic art experience'? Reproductions and their effect on the experience of the 'authentic' artwork.

Indice: Special Introductory Talk: C. Koukouli-Chrysanthaki / S. Papadopoulos: The island of Thassos and the Aegean in the prehistory - 1. Archaeological Considerations - Use of Marble: T. Stefanicou-Tiveriou: Thassian marble: a connection between Thassos and Thessaloniki - E. J. Walters: Thassian Julius Caesar - G. E. Borromeo & al.: Macedonian workmanship on a thassian marble Hadridn in Providence? - J. C. Fant: White marbles in the summer tricilinium of the casa del Bracciale d'Oro, Pompeii - J. J. Herrmann, Jr. / R. H. Tykot: Some products from the Dokimeion quarries: craters, tables, capitals and statues - P. A. Butz: The naxian Colossus at Delos: «same stone» - A. Betori & al.: Investigation of marbles and stones used in Augustean monuments of western alpine provinces (Italy) - F. Bianchi / M. Bruno: Flavian amphitheatre: the cavea and the portico; comments about the quality, quantiti and the working of its marbles - O. Palagia & al.: New investigations on the pedimental sculptures of the «Hieron» of Samothrace: a preliminary report - V. Gaggadis-Robin & al.: Provenance investigation of some marble sarcophagi from Arles with stable isotope and maximum grain sizes analysis - L. Cook / I. Thomas: Fausstino Corsi and the coloured marbles of Derbyshire - F. Van Keuren & al.: Three mythological sarcophagi at the RISD museum: marble provenances and iconography - 2: Quarries, Quarrying Techniques, Geology and Stone Properties: J. A. Harrell: The Bokari granodioirite quarry in Egypt's eastern desert - E. Bloxam & al.: Hard stone quarrying in the egyptian old kingdom (3rd millennium BC): rethinking the social organization - T. Endo / S. Nishimoto: The ancient egyptian quarry at Dibabiya - D. Klemm / R. Klemm: Pharaonic limestone quarries in Wadi Nakhla and Deir Abu Hennis, Egypt - T. Heldal & al.: GPS and IGS methodology in the mapping of Chephren's quarry, upper Egypt: a significant tool for documentation and interpretation of the site - P. Storemyr & al.: New evidence of small-scale roman basalt quarrying in Egypt: Widan el Faras in the northern Faiyum desert and Tilal Sawda by El-Minya - P. Storemyr / T. Heldal. Ancient stone quarries: vulnerable archaeological sites threatened by modern development - P. Hadjidakis & al.: Ancient quarries in Delos, Greece - M. Wurch-Kozelj / T. Kozelj: Quelques sarcophages rectangulaires d'époque impériale, des carrières thasiennes aux nécropoles de Thasos - K. Laskaridis / V. Perdikatsis: Characterisation of the timeless white marble and quarrying activity in Thasos - 3. Provenance Identification and Characterisation (Marble): F. Gabellone & al.: The Torre Sgarrata wreck (south Italy): marble artefacts in the cargo - A. Calia & al.: The Torre Sgarrata wreck: characterization and provenance of white marble artefacts in the cargo - D. Attanasio & al.: EPR and petrographic provenance of the architectural white marbles of three buildings at Villa Adriana - T. Cramer & al.: Marble objects from Asia Minor in the Berlin collection of classical antiquities: stone characteristics and provenance - M. Bruno & al.: On the provenance of white marbles used in the baths of Caracalla in Rome - M. Fischer: Marble from Pentelicon, Paris, Thasos and Proconnesus in ancient Israel: an attempt at a chronological distinction - Y. Maniatis & al.: Provenance investigation of neolithic marble vases from Limeraria, Thassos: imported marble to Thassos? - M. Unterwurzacher & al.: Provenance study of roman marble artefacts of an excavation near Oberdrauburg (Carinthia, Austria) - L. Lazzarini: The distribution and re-use of the most important coloured marbles in the provinces of the roman empire - M. Mariottini & al.: The taste of the marbles in roman villae (Tiburtina-Nomentana) - L. Lazzarini / S. Cancelliere: Marmor thessalicum (verde antico): source, distribution and characterization - P. Lapuente & al.: Marbles and coloured stones from the theatre of Caesaraugusta (Hispania): preliminary study - R. H. Tykot & al.: Marble sculptures from the Rhode Island School of design: provenance studies using stable isotope and other analysis - J. J. Herrmann, Jr. & al.: Identifyinig dolomitic marble 2000-2003: the Capitoline museums, New York, and Somnus-Hypnos in Urbisaglia - 4. Provenance Identification and Characterisation (Other Stones): R. Bugini / L. Folli: On tesserae of roman mosaics in Lombardy (Italy) - E. Roffia & al.: Stone materials of the roman villas around lake Garda (Italy) - P. Degryse & al.: The natural building stones of helenistic to byzantikne Sagalassos. provenance determination through stable isotope geochemistry - Ø. J. Jansen & al.: Provenance of soapstone used in medieval building in the Bergen region, western Norway - B. Moroni & al.: Archaeolmetry of chert tools: for a non-destructive geochemical approach - J. Cassar: Classifying maltese prehistoric limestone megaliths by means of geochemical data - F. Antonelli & al.: «Granito del foro» and «granito di Nicotera»: archaeometric problems - O. Özbek: The prehistoric ground stone implements from Yartarla: the preliminary results of a geoarchaeological study in Tekirdag region (eastern Thrace) - S. Chlouveraki / S. Lugli: Gypsum: a jewel in minoan palatial architecture; identification and characterization of its varieties - L. Lazzarini / F. Athanasiou: The discovery of the greek origin of the «Breccia policroma della Vittoria» - 5. Techniques and Developments: J. Zöldföldi / Z. Kasztovsky: Provenance study of lapis lazuli by non-destructive prompt gamma activation analysis (PGAA) - F. Biricotti / M. Severi: A new non-destructive methodology for studying the internal structure of white marble of artistic and archaeological interest - 6. Databases: S. Pike: A stable isotope database for the ancient white marble quarries of mount Pentelikon, Greece - G. Kokkorou-Alevras & al.: Corpus of ancient greek quarries - B. Székely / J. Zöldföldi: Fractal analysis and quantitative fabric analysis database of west anatolian white marbles - 7. Stone Properties - Weathering - Restoration: A. Tsikouras & al.: Correlations of mineralogy and physical properties for stones used in the building and the restoration of the Asklepieion at Epidauros - I. Papayianni / M. Stefanidou: Study of the behaviour of serpentinite stones used for the construction of ancient Diokltianoupoli in northern Greece - M. Greenhalgh: Where have all the columns gone? The loss and reuse of antiquities in the eastern Mediterranean - K. Kouzeli / E. Zgouleta: Gypsum at the minoan site of Knossos: types and deterioration - L. Giordani & al.: Instrumental neutron activation analysis of the marble façade of the Certosa di Pavia: materials provenancing and problematics related to decay - K. Polikreti / Y. Maniatis: Ionic and charge mobility on weathered marble surfaces, studied by EPR spectroscopy - 8. Pigments and Paintings on Marble: B. Bourgeois / P. Jockey: Polychrome hellenistic sculpture in Delos: research on surface treatments of ancient marble sculpture, part II - A. G. Karydas & al.: In-situ X-ray fluorescence analysis of raw pigments and traces of polychromy on hellenistic sculpture at the arcaheological museum of Delos.

Indice: Conserver-restaurer: pourquoi? où? comment?: Les différentes facettes du métier de restaurateur - Les moyens matériels et la méthodologie - Pratique de la rstauration: Fresques et enduits peints romains - Fresques romanes (Xe-XIIe siècles) - Peintures gothiques à la chaux (XIIIe-XVe siècles) - Peintures Renaissance (XVe-XVIe siècles) - Peintures baroques et rococo (XVIIe-XVIIIe siècles) - Peintures murales et décors peints du XIXe siècle - Peintures murales au XXe siècle - Annexes.