Bradley de él

The runner believed that life was a linear, mechanical process of perpetual motion, and the imitator viewed it as a power struggle, an ascent toward self-realization. Both victims of their vague knowledge of success, they embark on an odyssey that takes them to the huge buffets of Las Vegas, which is here set in the near future, and across the wasteland that lies before them. In his Bradley, L.A. nominee Connor Willumsen Times Book Prize for Anti-Gone, builds a hyper-realistic satire that blurs the border between character and performer.