Paleopsicología del arte rupestre

What did the Ekain painters want to communicate to us when they made those wonders of signs and animal figures? Which was conscious communication and which was unconscious? Why or what was it painted for? What were their desires, their ideals, their problems?. What did they eat? How many years did they live? How did they communicate or what did they talk about? How is it possible that we have doubts about his intellectual and artistic capacity after verifying the perfection with which the drawings are made? What secrets do the paintings hold? Is it possible that Paleolithic art lasted without great aesthetic and symbolic changes for more than 30,000 years? After verifying that the majority of people in our current society are not capable of making drawings or paintings of that size, how would it be possible to deny the psychic quality of that Paleolithic being after having seen the elaborate tools, the lithic production, so perfect and detailed to develop the function to which they were designated? In this work, based on the Ekain cave paintings as a model, the author applies a novel statistical and psychodynamic analysis methodology based on projective tests. In this way, he brings to the field of rock art a statistical-experimental technique and psychoanalysis with which it is possible to know in depth both the paintings and the character of this Paleolithic society.