Tito Andrónico

This version in vignettes of the Elizabethan theater piece entitled Tito Andrónico gives an account, through the art of Marcos Prior and Gustavo Rico, of the transition from the emperor-by-inheritance to the emperor-by-quasi-popular acclamation. All intertwined through a spiral of violence caused by a series of actions and reactions with the common denominator of revenge (fueled by the fire of evil for the love of evil), which take turns until the final paroxysm with which not a few culminate of the works attributed to the central figure of the problematic western canon: William Shakespeare.